good soup makes good neighbours

Remember Robert Frost's poem, Mending Wall (1914):

Something there is that doesn't love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.

The work of hunters is another thing:

I have come after them and made repair

Where they have left not one stone on stone,

But they would have the rabbit out of hiding,

To please the yelping dogs. The gaps I mean,

No one has seen them made or heard them made,

But at spring mending-time we find them there.

I let my neighbor know beyond the hill;

And on a day we meet to walk the line

And set the wall between us once again.

We keep the wall between us as we go.

To each the boulders that have fallen to each.

And some are loaves and some so nearly balls

We have to use a spell to make them balance:

"Stay where you are until our backs are turned!"

We wear our fingers rough with handling them.

Oh, just another kind of outdoor game,

One on a side. It comes to little more:

He is all pine and I am apple-orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, "Good fences make good neighbors."

Spring is the mischief in me, and I wonder

If I could put a notion in his head:

"Why do they make good neighbors? Isn't it

Where there are cows? But here there are no cows.

Before I built a wall I'd ask to know

What I was walling in or walling out,

And to whom I was like to give offence.

Something there is that doesn't love a wall,

That wants it down!" I could say "Elves" to him,

But it's not elves exactly, and I'd rather

He said it for himself. I see him there,

Bringing a stone grasped firmly by the top

In each hand, like an old-stone savage armed.

He moves in darkness as it seems to me,

Not of woods only and the shade of trees.

He will not go behind his father's saying,

And he likes having thought of it so well

He says again, "Good fences make good neighbors."

I DIDNT REALIZE it was an old saying until I re-read it, or that the poet didn't agree with the sentiment (or lack of) that it expressed. I, on the other hand, have long been saying  "Good soup makes good neighbours." I make good soup. A lot. I have to give some away or I would be inundated with soup. But I don't give it away just to get ahead of my storage problem.  I choose whom to give it to and I am careful to remember the preferences of my neighbours. One doesn't like mushrooms; his wife does. So take turns or label it or what?   Another does'n t like too much Srirachco, so I have to use a light hand, if at all.

When you live in a building like mine - not an old-age home, but sometimes it seems, very close to it - there is always someone who could use some soup.  Or muffins. That's my other panacea.

Good muffins make good neighbours, too.

 

 

 

 

 

 

 

 

back to the mundane

Words, that is.

teratology  noun:  1 Medicine & Biology, the scientific study of congenital abnormalities and abnormal formations. he has made a long study of teratology.   figurative : the teratologies of human corruption.   2 mythology relating to fantastic creatures and monsters.

ocellated adjective  (of an animal) having eye-like markings.

allograph noun:  Linguistics,  each of two or more alternative forms of a letter of an alphabet or other grapheme, for example the capital, lower case, italic, and various handwritten forms of a letter.  • Phonetics each of two or more letters or letter combinations representing a single phoneme in different words. Allographs of the phoneme |f| include the (f) of ‘fake’ and the (ph) of ‘phase

ORIGIN 1950s: from allo-‘other, different’ + grapheme.

morphology  noun (pl.morphologies)  1  the study of the forms of things, in particular:       • the branch of biology that deals with the form of living organisms, and with relationships between their structures.

• Linguistics the study of the forms of words, in particular inflected forms. grammar is organized along two main dimensions: morphology and syntax. a generative approach to Italian morphology.  2 a particular form, shape, or structure.  ORIGIN mid 19th cent.: from Greek morphē ‘form’ + -logy.

anaphora noun  1 Grammar the use of a word referring back to a word used earlier in a text or conversation, to avoid repetition, for example the pronouns he, she, it, and they and the verb do in I like it and so do they. Compare with cataphora.  2 Rhetoric the repetition of a word or phrase at the beginning of successive clauses.  3 Christian Church the part of the Eucharist which contains the consecration, anamnesis, and communion.

ORIGIN late 16th cent.: sense 1, sense 2 via Latin from Greek, ‘repetition’, from ana- ‘back’ + pherein ‘to bear’; sense 3 from late Greek.

cataphora   noun:[ mass noun ] Grammar: the use of a word or phrase that refers to or stands for a later word or phrase (e.g. the pronoun he in he may be approaching 37, but Jeff has no plans to retire from the sport yet). Compare with anaphora.  ORIGIN 1970s: from cata- on the pattern of anaphora.

thill  noun: historical:  a shaft, especially one of a pair, used to attach a cart or carriage to the animal drawing it.    ORIGIN Middle English: of unknown origin.

I WAS ACTUALLY LOOKING UP THIRL, but it wasn't in the online dictionary.  I found thill instead. I have other, esoteric dictionaries. I'll try them...

katakana noun [ mass noun]  the more angular form of kana (syllabic writing) used in Japanese, primarily used for words of foreign origin. Compare with hiragana.  ORIGIN early 18th cent.: Japanese, literally ‘side kana

 

hiragana  noun [ mass noun ] the more cursive form of kana (syllabic writing) used in Japanese, primarily used for function words and inflections. Compare with katakana.   ORIGIN Japanese, ‘plain kana’.